Motion with gravity

Every portfolio starts with an explosion nobody witnessed. Mine happened in a seven-square-metre room in São Paulo, with a CRT monitor and a pirated copy of software I had no idea how to use.

There was no course, no tutorial in my language, nobody nearby who did this for a living. There was a button called "keyframe" and a suspicion that if I pressed it enough, something would move.

It took four months before anything moved the way I wanted. It took six more before I understood why — and that is where this story actually begins.